Before he discovered worldwide fame as the frontman for Murderdolls, Wednesday 13 was simply Joseph Poole, an aspiring musician nonetheless residing at residence along with his mother and father in the late ’90s. Granted, at evening he dressed up and performed the cult horror punk crew Frankenstein Drag Queens From Planet 13, however after a few albums, fame hadn’t knocked and he was nonetheless writing most of his songs in his childhood bed room.
“My guitar was just in the corner, and that’s where most of my songs for Frankenstein Drag Queens were written,” he recollects. “We were a punk band, but I’ve always loved a little bit of metal. White Zombie, Pantera, Megadeth, Anthrax… so I’ve always tried to come up with something heavier. I remember worrying that a song sounded too much like it [Megadeth’s] Symphony of Destruction. It sounded mean and I look around my room and see my Frankenstein poster. I instinctively said, ‘Hey Frankenstein, what are you up to?’ and then there was a Dracula poster, and I went around the room the same way.”
The song Wednesday wrote was baptized Hooray for Horrorwood and would be included on the Drag Queens’ 1999 album, Songs from the recently deceased. It was a clear standout track on the album. “I believed, ‘Well, we’ve got one thing right here,'” says Wednesday. “We went into the studio, recorded it and had it blended. I bear in mind our bassist Seaweed put it on in the automobile and we each acquired goosebumps, ‘We did a freaking cool song!'”
Frankenstein Drag Queens were something of an underground cult venture, but word of the band spread over time, eventually reaching the ears of Slipknot drummer Joey Jordison. After a brutal promotional campaign for Slipknot’s second album, Iowa, tensions arose within the band, and the members set off to pursue their own projects. For Wednesday, that meant he was about to get a call that would change his life.
“Joey heard the song and preferred it, however he stated, ‘I do not actually like the refrain!'” recalls Wednesday. “He stated, ‘I referred to as that song title useless in hollywood and I feel we are able to do it…” That’s after I realized that Joey and I may do one thing actually cool and work collectively. He made all of our songs higher and that was the first song we labored on collectively.”
The chemistry between Wednesday and the late nice Joey was robust. The virtually telepathic instinct of how their music ought to sound meant that the recording course of for Murderdolls’ debut album, Beyond the Valley of the Murderdollswas a breeze.
“If anyone ever saw us together, they knew immediately we had a connection,” smiles Wednesday. “I used to say to Joey, ‘When I’m writing a song with drums in mind, you immediately play them exactly how they sound in my head. You’re the only person I’ve met who can do that.’
“I’ve by no means had that with anybody. That’s why it is so unhappy to lose him as a result of I’ll by no means have that relationship with somebody like him once more. We actually had extra work forward of us.”
Although Wednesday wrote most of the songs earlier than recording Furthermore…a lot of which stem from his earlier undertaking, he credit Joey with an integral position in enhancing the songs far past their authentic variations.
“He made it sound like a big band, not a garage band—we were groomed to be arena rock,” recollects Wednesday. “He loved to drum, but Joey was a great guitar player. He loved Keith Richards, Mick Mars, Angus Young… and he had to stand up and show it. I remember my friend came to pick me up from the airport after I finished all my parts. I got in the car and said, ‘Put the CD in!’ and he says, ‘Holy shit!’ He’d only heard my old stuff, and here was the smooth, produced version of who we were now.”
It was round this time on Wednesday the thirteenth that it turned clear that issues had been about to alter. When hammer asks if he felt like changing into a rock star, we get a convincing one-word reply: “Yes!” He continues, “We went on tour to Japan, and while we were out there we opened on Guns N’ Roses album release day.
“That was a quick thing; we no longer played in front of 100 people, but in front of 30,000 people! We went out and played the first song, everyone jumped, and that’s when I realized I could do this for the rest of my life. I was like, ‘I wrote these songs at my parents’ house!’ but once I got my foot in the door, I couldn’t get it out!”
Despite the fan praise, expectations of their label for Murderdolls were still pretty low.
“Roadrunner agreed to let Joey and Corey [Taylor] do their aspect undertaking,” recollects Wednesday. “Like ‘Do your thing if it’s worth it, great, but it’s never compared to Slipknot.’ But both bands [Murderdolls and Stone Sour] ended with great success. I’m not sure they saw this coming!”
Thankfully, the label’s no-holds-barred method additionally gave the group some freedom – which was lucky, since Joey did not take into consideration compromising his concepts for the band.
“I remember when we were going to put those out White Wedding Single, we had a meeting with this label guy who suggested the treatment,” says Wednesday. “He’s like, ‘Okay, so you guys are at this house party and all your fans are going crazy. It’s a bit like… Good Charlotte!’ The second he heard the words “Good Charlotte,” Joey just said, “Fuck. You.’ and hung up the name. I discovered that unimaginable! Maybe they wished to tone us down and never make us so impolite, nevertheless it by no means would have occurred.”
Released August 20, 2002, Beyond the Valley of the Murderdolls had an instantaneous affect on international audiences. It reached each the UK Top 40 Albums Chart and the US Billboard 200. More importantly, in a steel scene nonetheless clinging to the now-rotting corpse of nu-metal, Murderdolls felt like the most fun band to have existed since, properly, Slipknot.
“It was a weird time. Nu-Metal was on its way out,” muses Wednesday. “We had been this band that will are available and get individuals to say, ‘Who is it? this Guys?’ as a result of we had been this mixture of Mötley Crüe and Sex Pistols with somewhat extra in it.”
useless in hollywood was the first single to be launched from the report, narrowly lacking out on a prime 50 spot on the UK Singles Chart when it peaked at quantity 54. But as befits a song impressed by the artwork of traditional horror motion pictures, it was the music video that basically helped Murderdolls seize the imaginations of metalheads worldwide. An explosion of punk rock, make-up and horror imagery raging by the song’s seedy riffing in a grimy working room, the video additional set the band aside from the whole lot else happening at the time.
“Where we shot this video, they shot it [2002 movie] resident Evil‘” remembers Wednesday. “It was an abandoned hospital that went three stories underground. People said it was haunted because there was an actual morgue down there. It was my first professional video shoot and it was weird, I was like a kid in a candy store! I’ve been waiting my whole life to make a video. I felt like I was in Kiss for a few minutes!”
Of course, Joey tragically handed away final 12 months, so Murderdolls aren’t any extra. Twenty years after these early days, Wednesday is conscious that the song, album and band he was so happy with continues to affect his followers to this present day.
“During the time we had off because of the pandemic, I was able to interact a lot with my fans,” he says. “I learn that this was a moment for her that will remain special. They talk about this album the same way I do [David Bowie’s] Ziggy Stardustwhich is my honor.”
For Wednesday, the recollections and emotions related to that point are nonetheless amongst the best of his profession.
“It was something special,” he smiles. “It was a crazy time. I had just turned 26 and it was the first time a member of Slipknot had come out, so we had all those eyes on us. It’s a perfect, great cult album and the longer it goes on, the more people want to know about it. Who knows what the legacy of that will be in another 20 years?! But both records that we did together are two of the price records that I did. It’s sad it can never be replicated because there are no Murderdolls without Joey, but I’m proud of our legacy.”
Wednesday 13 scare Album is out now